This is a Limited Edition Giclée print - the highest quality print that can be produced with today's technology to best replicate the integrity of original art.
To reserve your signed and numbered print, email Mary or call 252-504-3731
This is a Limited Edition Giclée print - the highest quality print that can be produced with today's technology to best replicate the integrity of original art.
To reserve your signed and numbered print, email Mary or call 252-504-3731
When Dr. James Manney, Sr. and Maria Lente Manney moved into their new home there were only 600 residents and 75 houses in Beaufort. Besides tending the sick in Beaufort and at
11x11 Giclee Print - $85
15x15 Giclee Print - $125
Although built by C.C.Gutherie in the early 20th century, this home is commonly known to Beaufort residents as the Paul Jones House. Jones, who owned the home in the second half of the 20th century, was one of the founders of the Beaufort Historical Association and managed C.D Jones Company for many years.

Robert Withers Chadwick (1826-1884) was born in
William Jackson Potter, son of David Potter and Mary Adams Potter, was born on
8x10 Giclee Print - $45
11x14 Giclee Print - $85
This home is the only remaining part of the Old Inlet Inn that once stood on
What has been known as The Pecan Tree Inn since 1992 sits on a lot deeded to the Franklin Masonic Lodge in 1866 by Rebecca Piggott. Hugh Jones converted the Lodge into his private residence in 1900, adding five bedrooms and three beautiful Victorian porches. It is believed that the Jones house was the first in Beaufort to have gas lighting, indoor plumbing and a telephone.
In 1812
8x10 Giclee Print $45
11x14 Giclee Print $85
In 1829 James Davis built this saltbox-style home on
8x10 Giclee Print - $45
11x14 Giclee Print - $85
From 1713, this house and lot passed through several families. Names such as Pigott, Cooke, Perry, Duncan, and Nelson are all mentioned in the research on the house. In 1875 Thomas Duncan sold the property
In 1852 David B. Wharton and Susan Davis Wharton purchased the property from Guy Buckman for $600. Although this home has been referred to over the years as being a "hotel" during the Civil War, it may have been built as a single-family home when first constructed and shortly afterwards became a boarding house.
Sophia Merwin and her daughter, Elizabeth Merwin, lived in the home for many years. In 1962 she configured the historic plaque design that is still used today to mark houses over 100 years old.
Legend tells us that Blackbeard stayed here for a while with an 18 year-old French common-law wife who was not a willing occupant. The pirated evidently got so angry with her that he hanged her from an oak tree in the back yard.
This “porch” is the entrance to one of the ten most architecturally perfect buildings in
St. Paul
This restored home on
The unique, stacked corner front porches once faced the back courtyard of St. Paul’s School and overlooked what is now the newer part of the St. Paul’s Episcopal Church Cemetery.

At sunrise on
It is interesting to imagine sitting on this charming little cottage porch in the early 1900's--witnessing the train which used to run down Broad Street--as it first brought the outside world to Beaufort. As it rumbled through this short block it would have also passed three neighborhood sundry shops which sold everything from fabric to penny candy and 5-cent sour pickles. This cottage was built by Charley Wheatley and his wife Emily Noe after Emily's father, Benjamin R. Noe, sold them some of his adjacent property for $75.
This home, the epitome of Bahamian architecture, was the town house of Colonel John Easton.
Built in the Greek Revival style just after the Civil War, this was the home of Jacob Gibble, a lumber dealer. It was later transferred through marriage to the Delamar family, remaining in the Gibble-Delamar family for 106 years. It has been said that the northeast front room was the site of many births, perhaps to all of their six children.

If this house could talk, it could bring to light much of the mystery and hauntedness that has surrounded this home for over 300 years.
Even though legend ties this house to Blackbeard and other pirates and traders during its early years, it was most likely built as an inn or “ordinary” to house sea and land travelers.
When Beaufort was still in its infancy, Rustull built a house for his family that, through succeeding generations, would become known locally as the Ward-Hancock.
Richard Rustull played an important role in the development of Beaufort. He increased the size of the town from its original 100 acres to 200 acres. He helped established a church to be known as St. John’s Parish, gave land to be used for the courthouse, and served as Justice of the Peace and Customs officer. One of his numerous responsibilities was collector of the King’s taxes.
As the earliest example of an 18th century gambrel-roof house in eastern
See A Very Early House - The Ward-Hancock
8"x10" Giclee - $45
11"x14" Giclee - $85
Specify Horizontal or Vertical Image
This old gabled roof Bahamian-style home, with its unique position on the west end of Front Street facing Taylor’s Creek and Beaufort Inlet to the south and Gallant’s Channel and Piver’s Island to the west, has had a front-row seat to centuries of Beaufort history. From the upper porch owners had a birds-eye view of the shelling at Fort Macon during the Civil War.
The Duncan House was the first house to be plaqued.
The horizontal painting shows a view of Taylor's Creek.
Belcher Fuller was the great-great grandson of William Borden, Sr. The Belcher Fuller House is next door to the William Borden House on
Many will always remember this house as home to Mildred Holland (1909-2006). She was the wife of Charles Gehrmann Holland, son of Mrs. Hannah Guthrie Holland and well-known sheriff of
This was my first porch painting - done in February of 2002.
James Davis was born in 1780. He was the eldest son of Joseph Wicker Davis and Susanna Stanton Davis. James and Elizabeth were married in 1803 and had 12 children, many of whom were born in this house on
Davis build many homes in Beaufort, many for his children.
The word Giclée is derived from the French verb gicler which means "to spray, jet, or spurt."
A Giclée is an archival fine art print produced on high quality acid–free paper or on canvas.
A Giclée print exudes vibrancy of color. Prints are created with archival inks (6 to 9 inks, opposed to 4, for these prints) that will last up to 200 years with proper handling and, of course, protection from direct sunlight.
A Giclée is the highest quality print that can be produced with today's technology to best replicate the integrity of the original art.
Giclées are printed digitally so that the artist is able to control the quality at a much higher level than any other print method.
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